My work is inspired by the fusion of Eastern and Western art traditions. I like the poetry in Chinese painting, as well as the abstraction and power of American contemporary art. Driven deeply to study how to convey my worldview and experience, I record the phenomena of daily life, morsel by morsel, beautiful and possibly ugly.

I see my works as a kind of narration, a combination of internal activities and external observation. My thought is inextricably linked with ancient Chinese philosophy and modern American avant-garde culture.

There is an important character in my work, who resembles a hieroglyph, and acts as a protagonist on a journey. He is a Chinese pictogram of a Chinese word (大) meaning big or large, and he appears as a man who stands with arms wide open. It is a symbol personified and anthropomorphized. It suggests some phenomena of society, and this character also represents myself.