Category: Faculty Doings

The Summer in Photos: June 9, 2021

Photo: Gerst.

A muggy day. Some thunder. In our garden, foxgloves, peonies,  and roses.


There’s rosemary, that’s for remembrance; pray, love, remember; and there is pansies, that’s for thoughts…
There’s fennel for you, and columbines; there’s rue for you, and here’s some for me; we may call it herb of grace o’ Sundays. O, you must wear your rue with a difference. There’s a daisy. I would give you some violets, but they wither’d all when my father died. They say he made a good end,— [Sings.]
“For bonny sweet Robin is all my joy.” (Shakespeare, Hamlet)


Camille Saint-Saëns, “Carnival of Animals, Aquarium”

Gilgamesh—As You’ve Never Seen It

Click above to play this Gilgamesh quilt video.


Where did this fantastic work of art come from?

Writes Rachel Cohen:

This project really began 25 years ago, when my husband, Joshua Cohen, first shared the story of Gilgamesh with me, as something he thought I might love too.  There was something about the story even then that drew me to explore its meaning through art.  I did a small relief in clay of the wrestling scene as a birthday present for Josh.  When a dear friend suggested I try creating a story in appliqué, there was no question as to “which story.”

I quite clearly remember the first pencil diagram/sketch created in January 2013.  The two end panels were to represent the two stone tablets wherein Gilgamesh “wrote the story” on his return.  I very much wanted the ideas of “journey,” “possibility,” and “change” to be represented which led to the diagonal panel in the center.  Even the idea for the border was there at the beginning — wanting it to be the edge of the lapis lazuli stone of the tablets. The other element that was present from the beginning was the idea of a circular story.  The actual text begins with a description of the final panel, which is repeated and elaborated on at the end — but is it really circular?  Is the place reached at the end, while called the same, still the same “Uruk,” still the same “Gilgamesh?” My interpretation is in the quilt.

As with any project of such length and size, there are so many people to thank for their contributions.  My husband lent his creative imagination to design of many of the fantastic elements (the meteor, the scorpion beings, and all the characters, to name a few).  My daughter, Leah, became my steadfast and honest critic and support.  Her eye for color and detail grew and developed along with the quilt.  Her unending positive and loving support was everything.  My son, Avi, reluctantly served as model for some of the characters (thank you!), and added some significant suggestions that really completed the final panel.  Other inspiration came from a Hubble telescope photograph of the double galaxy, M.C. Escher’s early work with perspective and point-of-view, and all the unnamed and unknown sources of the hundreds of fabric designs, and other materials. And, of course, to David Ferry for his wonderful verse rendering of such a powerful story. My thanks and gratitude to all.

 

Translating Basho…April 21, 2018

The Friday Reading Group gathered to translate a Basho haiku from the Japanese. “Old pond…new frog…water jump-in sound”  is how one translator renders it, but every rendering renews both poem and poet because the poem is the poem of poems. The readers rendered the haiku this way:


There is an old pond/A frog jumps in/spash (Ben Blum)


ice pond just melts ssssshhh/frog jumps ripple (circle) green/green (circle) green green (Lin Haire-Sargeant)


Ancient pond, ancient/ silence–until a frog leaps/ down and up leaps splash! (Debra San)


An old pond lies still./A springing frog awakens/Shattering water. (Josh Cohen)


A quiet old pond/Frog jumps into the water/The quiet pond sings (Hu Hohn)


A pond full of frogs;/A jumping and one goes in;/Kersplashing echoes. (Albert Lafarge)


Constant Readers : Les Murray—”The Dream of Wearing Shorts Forever”

“June 30, 1922. Washington policeman Bill Norton measuring the distance between knee and suit at the Tidal Basin bathing beach after Col. Sherrill, Superintendent of Public Buildings and Grounds, issued an order that suits not be over six inches above the knee.” National Photo Co.


October 28, 1985. The Library of Congress, Washington, DC. Les Murray reads aloud “The Dream of Wearing Shorts Forever”

 

Jeanette Luise Eberhardy Remembers Carol Dine

Carol Dine (foreground) & Samuel Bak (rear) signing Orange Night (2012)

Writes Jeanette-Luise Eberhardy:

I remember one of the first times that I met Carol. She came to my home to share some poems

Holding sheets of crumpled, yellow legal–size paper, she stood in my living room and read one of her poems.

I was stunned. I asked if there were more. She said yes.

One week later she returned with more poems, and she read to me.

I responded: We need to gather all these poems and make an artist’s book so beautiful that someone will give you the money to publish it. Together in my home office, we went to work on an artist’s book for those poems and images of art by Samuel Bak. That book became Orange Night. An image of the front cover of the book hangs in our Liberal Arts/Art History office.

Carol’s dream was to share her poems and her love of art with all of us. In 2012, Carol was awarded the prestigious honor of delivering one of the Hellerstein lectures. This honor was given to her by Professor Emeritus Louise Meyers.

When Carol was due to deliver the Hellerstein lecture, she was battling with cancer again. She was concerned whether she had the strength to deliver the talk. Also, she was concerned that her wig was just right for the performance of poems (so the audience would stay focused on the poems and not her health!). I picked her up from her home and drove her to MassArt to help reserve her energy for the presentation. To be with Carol in that moment gave me such a feeling of joy.

For Carol’s Hellerstein lecture, Professor Louise Meyers delivered one of the most beautiful introductions that I have witnessed in all my years of attending readings. I remember that Bob Gerst was sitting in one of the first rows listening with such a deep sense of loving care. For Carol, delivering the Hellerstein lecture was a dream come true. She was given the opportunity to share what she loved most: poetry and art.

I am so grateful for my moments with Carol Dine.

Robert Gerst: Remembering Noel Ignatiev (1940-2019)

Noel Ignatiev (1940-2019)

We were fly fishing, Noel and I, on that lake beside his house in the woods where he kept his worn-out Jaguar. It was maybe 2008 or 2009, a lifetime ago. We were fishing for those silver lake fish the name of which I cannot recall on that floating thing Noel kept to row on the lake, casting and recasting those arcs you make when you fly fish. We were using the Sears Roebuck fly rods Noel kept in that room between his kitchen and his living room. It was getting late, maybe five PM. The water had the viscous glow it takes on when night is approaching and the lake had the feel of cup of water already full into which more water was spilling.

The fish were not biting—not in the middle of the lake and not in the shallows near the far shore where  generally, Noel said, they abounded. The air was still. Late spring, early summer. It was good there. It was peaceful. It was quiet. Beside our own, no boat floated on the water. Eventually, we caught one fish—or rather, Noel did. He unhooked it. It was the size of Noel’s hand from pinky to thumb and when it was free of the hook he tossed the fish between our  bare feet. The fish flip flopped in the inch or two of water that floated at our feet like a miniature of the greater lake around us. We caught nothing more. We made  our way back to the dock and beached the raft and when we returned to Noel’s house across the road, he whacked the fish with a cleaving knife and scaled it and fried it in a large iron skillet. Cooking like that in oil, it crackled and filled  the air with the scent of fried fish. Noel cooked it. I ate it.

Thinking about all this now, I suddenly  sense—I had never thought of this before— why this moment on the water is coming back to me and why of all my years of friendship with Noel it is this instant that most returns to me. Floating there together on that lake, we had become in our own way characters in Noel’s favorite book, Huckleberry Finn. We were Huck Finn and Tom Sawyer. We were companions. We were floating together on the river of life where it turns to darkness at the end of things.

I was a friend of Noel, and he, a friend to me, not because we shared this idea or that idea about any one of the transient matters that preoccupy us humans. In fact, we disagreed about countless matters that should have made us, according to the strictures of politics, irreconcilable enemies. But what I saw in Noel—and what perhaps he saw in me—was an abiding love of truth and a reverence for what people at their best could be. I valued Noel’s capacity to see through cant and his reverence for what we humans have achieved. We taught together at a college. We were workplace friends. Actually, I hired him. For eighteen years, he taught history and I taught film. He had friends, wives, colleagues, children: I played no larger role in his life than a single  tree plays in a forest. But he was for years my good and beloved companion. He was my spiritual brother. He was my Huckleberry Finn. He enriched my life. I see us forever floating in that boat we shared that, seen rightly and with reverence, floats on the world entire.

Bless you, Noel. Thank you.


Noel Ignatiev Memorial Ceremony

“I have squandered the splendid years that the Lord God gave to my youth in attempting impossible things, deeming them alone worth the toil.”


Read in Memory of Noel Ignatiev at the Noel Ignatiev Memorial Ceremony, January 20, 2020, Plymouth Church, Brooklyn, New York




Sung In Memory of Noel Ignatiev at the Noel Ignatiev Memorial Ceremony, January 20, 2020, Plymouth Church, Brooklyn, New York


“Hard Times Come Again No More,” Stephen Foster, composerr, The Chieftans, performers

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