The Summer in Photos: June 10, 2021
The street outside our house repaved. Clear bright day.
Oh, honey of an hour,
I never knew thy power,
Prohibit me
Till my minutest dower,
My unfrequented flower,
Deserving be.
Emily Dickinson, Poem 1734
The street outside our house repaved. Clear bright day.
Oh, honey of an hour,
I never knew thy power,
Prohibit me
Till my minutest dower,
My unfrequented flower,
Deserving be.
Emily Dickinson, Poem 1734
There’s rosemary, that’s for remembrance; pray, love, remember; and there is pansies, that’s for thoughts…
There’s fennel for you, and columbines; there’s rue for you, and here’s some for me; we may call it herb of grace o’ Sundays. O, you must wear your rue with a difference. There’s a daisy. I would give you some violets, but they wither’d all when my father died. They say he made a good end,— [Sings.]
“For bonny sweet Robin is all my joy.” (Shakespeare, Hamlet)
Camille Saint-Saëns, “Carnival of Animals, Aquarium”
Click above to play this Gilgamesh quilt video.
The Friday Reading Group gathered to translate a Basho haiku from the Japanese. “Old pond…new frog…water jump-in sound” is how one translator renders it, but every rendering renews both poem and poet because the poem is the poem of poems. The readers rendered the haiku this way:
There is an old pond/A frog jumps in/spash (Ben Blum)
ice pond just melts ssssshhh/frog jumps ripple (circle) green/green (circle) green green (Lin Haire-Sargeant)
Ancient pond, ancient/ silence–until a frog leaps/ down and up leaps splash! (Debra San)
An old pond lies still./A springing frog awakens/Shattering water. (Josh Cohen)
A quiet old pond/Frog jumps into the water/The quiet pond sings (Hu Hohn)
A pond full of frogs;/A jumping and one goes in;/Kersplashing echoes. (Albert Lafarge)
“June 30, 1922. Washington policeman Bill Norton measuring the distance between knee and suit at the Tidal Basin bathing beach after Col. Sherrill, Superintendent of Public Buildings and Grounds, issued an order that suits not be over six inches above the knee.” National Photo Co.
I remember one of the first times that I met Carol. She came to my home to share some poems.
Holding sheets of crumpled, yellow legal–size paper, she stood in my living room and read one of her poems.
I was stunned. I asked if there were more. She said yes.
One week later she returned with more poems, and she read to me.
I responded: We need to gather all these poems and make an artist’s book so beautiful that someone will give you the money to publish it. Together in my home office, we went to work on an artist’s book for those poems and images of art by Samuel Bak. That book became Orange Night. An image of the front cover of the book hangs in our Liberal Arts/Art History office.
Carol’s dream was to share her poems and her love of art with all of us. In 2012, Carol was awarded the prestigious honor of delivering one of the Hellerstein lectures. This honor was given to her by Professor Emeritus Louise Meyers.
When Carol was due to deliver the Hellerstein lecture, she was battling with cancer again. She was concerned whether she had the strength to deliver the talk. Also, she was concerned that her wig was just right for the performance of poems (so the audience would stay focused on the poems and not her health!). I picked her up from her home and drove her to MassArt to help reserve her energy for the presentation. To be with Carol in that moment gave me such a feeling of joy.
For Carol’s Hellerstein lecture, Professor Louise Meyers delivered one of the most beautiful introductions that I have witnessed in all my years of attending readings. I remember that Bob Gerst was sitting in one of the first rows listening with such a deep sense of loving care. For Carol, delivering the Hellerstein lecture was a dream come true. She was given the opportunity to share what she loved most: poetry and art.
I am so grateful for my moments with Carol Dine.
We were fly fishing, Noel and I, on that lake beside his house in the woods where he kept his worn-out Jaguar. It was maybe 2008 or 2009, a lifetime ago. We were fishing for those silver lake fish the name of which I cannot recall on that floating thing Noel kept to row on the lake, casting and recasting those arcs you make when you fly fish. We were using the Sears Roebuck fly rods Noel kept in that room between his kitchen and his living room. It was getting late, maybe five PM. The water had the viscous glow it takes on when night is approaching and the lake had the feel of cup of water already full into which more water was spilling.
The fish were not biting—not in the middle of the lake and not in the shallows near the far shore where generally, Noel said, they abounded. The air was still. Late spring, early summer. It was good there. It was peaceful. It was quiet. Beside our own, no boat floated on the water. Eventually, we caught one fish—or rather, Noel did. He unhooked it. It was the size of Noel’s hand from pinky to thumb and when it was free of the hook he tossed the fish between our bare feet. The fish flip flopped in the inch or two of water that floated at our feet like a miniature of the greater lake around us. We caught nothing more. We made our way back to the dock and beached the raft and when we returned to Noel’s house across the road, he whacked the fish with a cleaving knife and scaled it and fried it in a large iron skillet. Cooking like that in oil, it crackled and filled the air with the scent of fried fish. Noel cooked it. I ate it.
Thinking about all this now, I suddenly sense—I had never thought of this before— why this moment on the water is coming back to me and why of all my years of friendship with Noel it is this instant that most returns to me. Floating there together on that lake, we had become in our own way characters in Noel’s favorite book, Huckleberry Finn. We were Huck Finn and Tom Sawyer. We were companions. We were floating together on the river of life where it turns to darkness at the end of things.
I was a friend of Noel, and he, a friend to me, not because we shared this idea or that idea about any one of the transient matters that preoccupy us humans. In fact, we disagreed about countless matters that should have made us, according to the strictures of politics, irreconcilable enemies. But what I saw in Noel—and what perhaps he saw in me—was an abiding love of truth and a reverence for what people at their best could be. I valued Noel’s capacity to see through cant and his reverence for what we humans have achieved. We taught together at a college. We were workplace friends. Actually, I hired him. For eighteen years, he taught history and I taught film. He had friends, wives, colleagues, children: I played no larger role in his life than a single tree plays in a forest. But he was for years my good and beloved companion. He was my spiritual brother. He was my Huckleberry Finn. He enriched my life. I see us forever floating in that boat we shared that, seen rightly and with reverence, floats on the world entire.
Bless you, Noel. Thank you.
“Hard Times Come Again No More,” Stephen Foster, composerr, The Chieftans, performers