Tammie L. Dupuis

MFA – LRB 2020 – 2022

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  • Summer 2022
    • Studio VI: Thesis II
    • Thesis Defense
    • Completed MFA Projects
  • Spring 2022
    • MFA Thesis Projects – Broken Made Whole
    • MFA Thesis Projects – This is How I Got Here
    • MFA Thesis Projects – Painting
    • MFA Projects – Print
    • MFA Projects – Beading
    • AETE-627: College Teaching in Art & Design (Pedagogy)
  • Fall 2021
    • Graduate Print Portfolio
    • Studio IV
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  • Summer 2021
    • Studio IV
    • Workshop: Felting and Weaving in the Expanded Field
    • Workshop: Print Making A
    • Workshop: VIBGYOR: Color for the Studio
    • Beading
    • Drawing
    • Painting
    • Sculpture
  • Spring 2021
    • HART 682 – Artists Writings
    • Ind. Studio II – Annotated Bibliography
    • Ind. Studio II – Beading
    • Ind. Studio II – Continued Work
    • Ind. Studio II – Drawing
    • Ind. Studio II – Experiments
    • Ind. Studio II – Painting
  • Fall 2020
    • Ind. Studio – Beading
    • Ind. Studio – Concept Images
    • Ind. Studio – Experiments
    • Ind. Studio – Print
    • Ind. Studio – Statement
    • Ind. Studio – WIP
  • Summer 2020
    • Major Studio I
      • Artistic References
      • Beaded Earth (Initial Thoughts)
      • Beaded Earth (In Process)
      • Projects
      • Giant Head (Initial Thoughts)
      • Giant Head (In Process)
      • Oil Painting Project (Initial Thoughts)
      • Oil Painting (In Process)
    • Seminar
      • The Mapping Project
    • Animation Integration
      • Class Exercises
      • Storyboards And Initial Thoughts
      • Final Project
  • Miscellaneous
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Major Studio 1 – Giant Head (In Process)

After working through the maquette, I started by sourcing styrofoam to see what kind of cost would be required to create this piece. While I would have rather had a solid styrofoam block, at the time I started this, I was unable to source anything close to me. Shipping would have taken too much time and was prohibitively expensive. So I made the decision to simply glue up my own block from readily available styrofoam sheet. Halfway through this process, I was able to contact two companies in my area so that, should I decide to continue with large sculptures, I won’t have to go through the gluing up process.

 

Gluing up the 4x4x4 foot block

The block was made form twelve 4ftx8ftx2inch styrofoam insulation panels. It took a couple of sessions to get it all finished. The first photo shows the block in process at 26 inches in height – a little over halfway done. The second photo gives some idea of the size with the unglued panels leaning against a Honda Fit.

Giant Head Painting
Gluing up the fx4x4 foot styrofoam block. Which took forever. But was cheaper than purchasing a whole block of the same size.
Giant Head Sculpture
Gluing up the fx4x4 foot styrofoam block. Which took forever. But was cheaper than purchasing a whole block of the same size.

 

 

Giant Head Sculpture

Styrofoam Block Complete!

The finished 4 sq ft styrofoam block. It’s probably a good thing I couldn’t afford an 8 sq ft block as I could barely reach to the center to apply the adhesive.

This requires a twenty-four hour cure time to make sure the adhesive has bonded with the styrofoam. Once everything is set, the rough carving with the hot knife can begin.

 

Giant Head SculptureRethinking the Block Shape

After I started working on the final diagram for the sculpt, I realized that a perfectly square block was not going to yield the sculpt I wanted without a lot of waste. So I removed the last four sheets, as a single unit, before the glue had time to set. This chunk will get glued on to the back in order to extend the hair.

Flattening the block allowed for resolution of some design issues with the hair as well. It will be a slightly smaller sculpture, overall, but I like this design much better.

 

 

 

Giant Head SculptureTransferring the Sketch onto the Block

Major lines were marked on the block both for the side and for the face. Everything was marked into quarters and in angled eighths on the side.

Because I wanted to save as much of the upper left corner as possible, I built a wood sled for my hot knife. This gave me both a straight edge to cut along and allowed me to stair step down  in order to save a good chunk of material.

 

 

 

 

 

Super Satisfying Texture Shot

This particular model of hot knife allows for the use of wire that can be bent in any shape. So I played with that while roughing the form out of the block.

 

 

 

 

Chunking Out The Profiles And Big Shapes

I could have really used a wide hot wire for this part. The lines formed by the glued up sheets actually helped as landmarks so while it looks messy and took a bit of time, it wasn’t too bad.

Sculpture in Process
Sculpture in process in my driveway.
Sculpture in Process
Sculpture in Process in my driveway.

Working on the Rough Out Stage of the Face

Sculpture in Process
Sculpture in Process in my driveway.
Sculpture in Process
Sculpture in Process in my driveway.
Sculpture in Process
Sculpture in Process in my driveway.
Sculpture in Process
Sculpture in Process in my driveway.
Giant Head In Process
Giant Head In Process
Giant Head In Process
Giant Head In Process
Giant Head In Process
Giant Head In Process
Giant Head In Process
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