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Self Portrait- Sehkmet Cloak

 I created a cloak as part of my #whatwomenwear clothing artifacts as a metaphor of the mothering energy I carry with me. The cloak is made from gampi fibers, yarn, and embroidery thread, weaving together the bodies, stories, and songlines of the women who raised me. The cloak is the body of a mother, a metaphor for the Goddess Sehkmet. She is warm and inviting, but she can quickly smother. The cloak is the heavy burden on a hot summer day and the warm comfort of a blanket on a cold winter’s night. In Self Portrait Sehkmet the cloak is designed to be shrugged on or off, allowing me to decide when I need her warmth and comfort and when I need to be free from her grasp.

 The lifesize cloak is made from a handmade gampi cloth covered with fibers and yarn and adhesive

Self Portrait Sehkmet Cloak and Diana Corset

The pieces Self Portrait Sehkmet and  Self Portrait Diana are a cloak and corset as part of a self portrait series for the #whatwomenwear project.These self portraits in this series embody not only me, but the women who made me, how I wear their stories on my skin, and how I carry myself with them. This lineage includes my ancient ancestry, my past lives, the Goddess Sehkmet, and the Goddess Diana. Their stories make up my social DNA and my ancestry holds their biological DNA.

Self Portrait- Diana Corset

 

 

Self Portrait- Diana Corset

 Life size corset made from steel wire, handmade gampi paper with yarn and adhesive, yarn wrapped steel wire dipped in flax fibers, kozo strings, and aluminum clasps.

I created the corset as a metaphor for the sexual confidence of my womanhood. Self Portrait Diana stands as a powerful bodice embracing her raw sexuality. Made from steel wire, gampi fiber, flax fiber, and yarn she holds her own weight and form, illuding to the strength and fragility of raw skin and bone. She embodies the Greek Goddess Diana. Diana is the goddess of the hunt, wild animals, trees, and fertility. She is the killer and the protector of animals. In all of her myths she is free from a man and at one with her sexual being. She is her own embodiment and her own choices in her sexuality,motherhood and spirit.

 

Spring Semester 2020 MFA-BLR 1st year

My work is directed in the 4th wave of American feminism examining how the female figure is represented in mass media and advertisements. In all of my works, I use images of the female figure from typing “woman” into google. I use the bodies from these images to confront the objectification of a woman’s body in mass media and to reclaim and empower their identities, worth, and sexuality.
The patterns formed by the web of bodies I weave together create their own “Songlines,” ancient symbols translated from mother nature’s patterns in tree bark and dirt into the human hand, then carved back into the trees and dirt to tell the stories of time, travel, maps, dreams, and ancestry.