Category: Social Sciences

Summer Reading, Richard Murphy: You Must Change Your Life (2014)

Acrobat, Picasso (1930)

In the following I shall discuss, initially using a literary model and later a psychological and sociological context, how acrobatism became an increasingly far-reaching aspect of modern reflection on the human condition: this occurred when, following the trail of the ubiquitous Nietzsche, people discovered in man the unfixed, unleashed animal that is condemned to perform tricks. (61)

Peter Sloterdijk, You Must Change Your Life, p. 61

Boston Chinatown

Writes Professor Lisong Liu:

Chinatowns mean a lot to me as a teacher and researcher specializing in Chinese migration to the US. A Chinatown is often the first place I visit when I travel to a large American city, not just for the wonderful and familiar Chinese food but also for its historical and contemporary significance. Chinatowns show the historical experience of Chinese in America, both racial discrimination and exclusion (thus the formation of Chinatown for mutual protection and support) and the resilience and creativity of the community in the face of adversity.

I am teaching the Chinese diaspora course this semester, and I will bring my students to Boston Chinatown for a field trip this coming week. This panel discussion is another wonderful opportunity for my students to understand Chinese migration in local, national and global contexts. I hope the event can highlight the community’s voice and remind people of the importance of respecting differences and welcoming migrants, whose history is American history, our own history.

Sons & Daughters Of The Incarcerated

Write Professor Chico Colvard:

Sons and Daughters of the Incarcerated is an intimate personal portraiture piece “… of boyhood marked by the criminal justice system, and what it means to become a man in America.”

On Friday, September 29th, 6:30 – 8:30 PM, I am hosting a fundraiser for this deeply compelling feature documentary film at my Brickbottom Studio — just off of McGrath Highway in Somerville near Union Square. Everyone is invited to join the director, the producer, other supporters and me for a sneak peek at this moving piece and to learn more about what’s needed to help get this important project across the finish line.  Hors d’oeuvres, beer and wine will be served.  No donation is required.

Please let me know if you can make it.

“A woman’s place is in the house – the House of Representatives”

Professor Judith Nies workshopped her play, Bella’s Choice, in the Liberal Arts Department Playwriting workshop. Now it goes live on stage.


Judith Nies

Bella’s Choice,” Judith Nies writes, “is about Bella Abzug’s 1976 effort to become New York’s first woman senator. Newburyport Actors Studio selected it in a competition for one-act plays .”

The play appears in Glass Ceilings, “a collection of four one-act plays,” the Actors Studio of Newburyport reports, “written and directed by women. The challenges, accomplishments, disappointments and successes presented in these short plays engage, entertain, inspire, amuse and take us on a journey through life’s moments, big and small, from the feminine perspective. The playwrights are Kathleen Miller, Judith Nies, Adair Rowland, and Edith Wharton. Our directors are Kathleen Isbell, Hailey Klein, Anna Smulowitz and Sally Nutt.”

Performances are 8:oo PM September 15-17 and September 22-24  and 5:00 PM September 17 and 24. More information is here.

Our Ancestors, Our Lives, & Ourselves: From Brazil to Fresh Catnip

Writes  (former) Liberal Arts Professor Felix Kaputu:

Felix Kaputu

I’m in Brazil, about to undertake a comparative analysis of the Likumbi Lya Mize (from Zambia) and the Congado (from Brazil). Both are festivals that celebrate ancestors’ memories in specific conditions.  The Congado also seems to carry many remembrances of African rituals especially those from Angola, Zambia, and the Democratic Republic of the Congo.


Background:

In May of 1787 delegates from all of the states of the newly-formed nation, except Rhode Island, met in Philadelphia to revise the Articles of Confederation, the first governing document of the new nation. Instead of revising the Articles of Confederation, they thought it necessary to create an entirely new frame of government. Continue reading

Continue reading

A Letter From Havana

“They can print statistics and count the populations in hundreds of thousands, but to each man a city consists of no more than a few streets, a few houses, a few people. ”
Graham Greene, Our Man in Havana


Havana, Cuba,  December 2016. Photo: Gwendolyn Taylor

Writes Professor Noel Ignatiev:

Gwen and I spent a week in Cuba this past December. Except for a daytrip to the adjacent province of Pinar del Rio, we spent the entire week in Havana. It was my first visit to Cuba since June 1960, when I was there for six weeks. I do not claim that one week makes me an authority.

For the tourist, Cuba is probably the most desirable destination in the Caribbean. There is the weather, of course, and then the food, the variety of things to see and do and the comparatively low cost. And music everywhere: Cuba is, after all, an Afro-American country. We attended the Havana Jazz Festival, hosted by Chucho Valdez, and heard Christian McBride; tickets were twenty bucks for all seats.

Thanks to Airbnb and the decision of the Cuban government to allow individuals who own apartments to rent them to visitors, accommodations are cheap. One can, if one wishes, spend three hundred dollars a night to stay at a luxury hotel (as one would ordinarily do in the Caribbean), but it is not necessary. We had a room, for fifty dollars, with a private bath in an apartment on the thirteenth floor of a twenty-five story building in the Vedado neighborhood—a residential district (formerly mafia) with many early-20th-century buildings, a ten-minute walk to the Malecon (seawalk), a ten-dollar taxi ride to Old Havana. The owners occupied an apartment in the rear on the same floor, the mother-in-law had a room with her own bath, and one room was rented to another visiting American couple. There was a dining room where the hostess served breakfast (fruit, eggs, toast and coffee, five dollars) an attractive common sitting area with a TV and a balcony with a great view. The power went out one day while we were there and we had to walk down thirteen floors, but it was on by the time we returned.

The food available for tourists is abundant, cheap and varied. There was a restaurant on the eleventh floor of the next building—also with a great view—that served meals with a continental touch for around ten dollars, local beer a dollar-and-a-half, Cuban top-quality rum five bucks, and imported drinks a bit more but still less than in the U.S. We also found a restaurant on the next street, without the view, where one could eat pork ribs cooked slowly over an open fire, served with Cuban black beans and rice for five dollars. We went once to an upscale restaurant downtown, paid a lot more and were disappointed.

We saw no homeless people (we did see one man passed out on the sidewalk in front of a local restaurant, but I think he was sleeping off a drunk; no one bothered him); we were told that street crime is rare and that women walk safely on the streets late at night. It seemed to us—I do not claim authority—that there was more of a sense of community and that people were less alienated than in other countries in the region: uniformed school children everywhere seemed happy and well-behaved; one ten-year-old showed us what he was reading: quotations from Abraham Lincoln (who is much admired in Cuba). We saw none of the hostility toward North Americans, especially whites, common in the Caribbean and Mexico. The difference may be due paradoxically to the Revolution, and here I need to recount an experience from my 1960 visit: I lived with a family in a neighborhood similar to the one where we stayed this time, at the height of the tensions between Cuba and the U.S., right before the breaking of diplomatic relations and the embargo. My presence was known to everyone, and one young fellow (about my age), whenever he passed me on the street, would taunt me with “Cuba si, yanquis no” (a slogan popular at the time), and ask, “Right?” After a few such incidents I went up to him and said in my bad Spanish, “Do you know that Fidel says there is a difference between the U.S. government and the North American people?” Immediately his demeanor changed; he smiled, shook my hand, and asked me how I liked Cuba. It may well be that the political education the Cuban people gained during that period had an effect.

Gwen at the Museum of the Revolution. Photo: Noel Ignatiev

There was a revolution in Cuba fifty-eight years ago. It inspired me, a lad of nineteen, to hitchhike to Key West to see it for myself. (Parenthetically, I was struck by the beauty of Savannah while passing through, and vowed to return some day, which I have done, now spending half of each year in the S. Carolina low country across the river.) In Cuba I stayed with an American left-wing family I knew who had moved there to escape political persecution in the U.S. I want to tell two stories of what the Revolution meant then: first, I was among two million people who rallied in Santiago de Cuba following the U.S. announcement that it was canceling the sugar quota and would buy no more Cuban sugar, on which the Cuban economy depended; the slogan was “Without quota but without master” and I heard Fidel Castro say, “We do not want U.S. imperialism to commit suicide on our beaches, but if it is our destiny to die to free Latin America from imperialist domination, we are ready to do our duty; if the imperialists invade Cuba they will meet not their Guatemala but their Waterloo.” Of course leaders can say anything, but I was in that crowd, and I know he was speaking for the people who had stood up and reclaimed their dignity and would die, if necessary, to defend it. That moment has stayed with me along with other moments I have experienced in my sixty years of revolutionary activity, years that have imbued me with the faith that a better world is possible (a slogan, by the way, we saw on a roadside, attributed to Castro). Less than a year later was the U.S.-financed invasion at the Bay of Pigs, where the Cuban people gave their response to the efforts of their former masters to return. My second story is more individual and perhaps therefore more revealing: one of my neighbors in Havana was a young woman who wanted to join the others planning to go to the countryside to live with the peasants and teach them how to read. Her parents did not want her to go, for traditional reasons. The neighbors got involved in the discussions, some on one side, some on the other. I do not know how she finally decided—the decision was hers to make and no one else’s—but it was an exercise in democracy, far richer than anything I had seen in the U.S. (outside of some moments in the Civil Rights Movement) and a case study of how revolution transforms character.

The Revolution left a legacy: free medical care, free education through college, low-cost housing, security in old age. it appears that the color line, while it has not been entirely erased, is less distinct that it was, a spectrum rather than a line. (Again, I don’t think one week makes me an authority.) Compared with other places that had revolutions, Cuba isn’t doing too badly. (In Mexico 58 years after the Revolution, government troops fired into a crowd of demonstrators, killing 400-1000.) But whoever visits Cuba expecting to see a living revolution will be disappointed. While there are still posters and slogans exhorting people, the public meetings, the competing newspapers, the wonderful creative disorder that characterized Cuba when I was there are not in evidence: the Revolution has become institutional, and Raul Castro wears a blue suit.

Noel Ignatiev on the sidewalk in Havana, December, 2016. Photo: Gwendolyn Taylor

Popular excitement today is directed toward tourism. A word of explanation: there are two pesos circulating in Cuba: one for internal use, worth almost nothing, and a second, convertible (CUC), which can buy clothing, appliances, cars and other consumer goods. (One leftwing critic observed around 1965 that the Revolution had achieved a miracle greater than the Transubstantion: the disappearance of consumer goods from the shelves. Everyone knows about the 1957 Chevvies kept running by the marvelous ingenuity of the Cuban people.) The main way to acquire CUCs is through tourism, which has given rise to a curious class system, not between those who possess great wealth and those who labor—we saw no one with great wealth—but between those who have access to CUCs and those who do not. (In addition to the 3 percent charge which applies to all exchanges, there is a discriminatory 10 percent penalty on dollars, which does not apply to euros, Canadian dollars, sterling or any other hard currency; it is the penalty for the US embargo, which still exists and which Cubans call the blockade.) For instance, the son of our hosts in Cuba is a lawyer, who used to work for the government; his wife is a doctor, also government employed. He makes ten times his lawyer’s salary driving a taxi; his wife likewise. It is hard to fault a country where taxi drivers and waiters make more than doctors and lawyers, but there it is. The result is that, while people’s basic needs are met, there is an acute shortage of consumer goods. Whether this was a result of the blockade, of the Cuban government’s decision to shift its dependence from the U.S. to the Soviet Union (with disastrous effects), inevitable for any small country without coal, oil or iron, or a combination, I couldn’t say.

In any case, as I said, the enthusiasm once directed toward revolution is now directed toward developing tourism. Old Havana is packed with people selling whatever they can, including Che Guevara t-shirts. (What would Che say? By the way, I saw Che up close in 1960.) An American friend told me he was approached three times in as many days by people offering to connect him with a young woman. This did not happen to me, perhaps because I was with Gwen. It’s coming: the hotels, the gambling, the prostitution—all the rest from what Mark Twain called the Blessings of Civilization Trust. Better visit soon, before they turn it into a theme park. Two links of interest are here and here.

Our Man in Chicago

Chicago, Easter Sunday, April 13, 1941. Photos by Russell Lee. Vocal God Bless the Child, Billy Holliday. Text, Max Grinnell,  Chicago: The City That Gives.


“They were recognizing my first book (Hyde Park: A Photographic History) and my book Walking Chicago for their contributions to a better understanding of Chicago’s cultural and social history,” Professor Max Grinnell writes.

Grinnell was one of seventy-five guest authors representing the “diversity of authors associated with Chicago’s varied literary traditions” recognized at the 2016 Carl Sandburg Literary Award ceremony at the University of Illinois at Chicago Forum on October 25, 2016. The Carl Sandberg Award of the Chicago Public Library honors Chicago-associated writers “who raise the public’s awareness of the written word.” 2016 Sandberg award winners were Erik Larson for non-fiction and Scott Turow for fiction.  Amita Gauther won the 21st Century Award.

grinnell-photo-detail
Max Grinnell (hand raised “V” for victory) and other Chicago-affiliated authors celebrate at the 2016 Carl Sandburg Award Dinner

Psychology of Flourishing Students Assess Their Own Strengths

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Writes Professor Christine Vitale:

In Fall 2016 Psychology of Flourishing, students exchanged pen-pal letters with Massachusetts College of Pharmacy and Health Sciences students who were similarly studying positive psychology. In this assignment, the letter writers introduced themselves. They expressed their personal concepts of success. They described those moments when reader and writer felt pride in themselves and explained to each other what each regarded as his or her own “character strengths.” In the letter she exchanged with her pen pal, one student wrote this:

…Right now, I think I want to be a scriptwriter. I love to write. Watching my words come to life on the screen is very exciting and satisfying for me. I enjoy the fact that the resulting images are always different from the ones in my head when I originally wrote them, it’s the beautiful unpredictability of the medium. I think that art is a form of expression—a language—that has the potential to explain phenomena that cannot be described or summed up into words. I hope one day that my work will excite something within people that they cannot explain….  My greatest accomplishment is the fact that I am a junior in a fine arts college pursuing the career of my dreams. I am happy that I have come this far in spite of every challenge I’ve faced these past few years. I am also proud of being a good sister and daughter; it is so important to be kind to your family and to let them know that they are loved.


“If Hollywood Don’t Need You,” (1982), Don Williams

“My Good Friend Henry:” Fashion & Culture Students Recreate In “Diaries” The Clothing Of The Past

Writes Professor Lauren Whitley:

Kelsey Wooster created the first diary.  She took on a man’s diary, and she did a superb job.  She clearly researched her character; the text is very believable. The outstanding part for me is her aging the paper, and very credibly recreating the script of the 19th century, along with the charming sketches. It really looks like a 19th century diary! On the page that the video displays, the text reads:

May 23, 1879
Henry W. [J] to Thomas M. Beaudoin

…ways, the wit she has! She would give you a challenge she would! She has given me a great deal of happiness. But my friend I say I have a great trouble because…well…I have no idea how to go about this. You know how to win [Carabella’s] affections in nearly a month! I feel rather a fly buzzing about her. I haven’t a great deal of confidence in grabbing her attention. I can hear your gruff voice now, asking where the problems lie. You know me…I’m a plain man through and through, I’m nothing like the dashing young men of today, and in the books. Nowadays they’re starting to wear two waistcoats! They think it’s new or flashy. I just know I’d pop a button or two, nearly die from the heat! Well, you know…I know nothing. Perhaps 2 waistcoats is what will make her notice. Nonsense notions. I simply don’t know what to do. Had the same tabby cat waste coat waist coat for years. What am I going on about clothes anyways. I couldn’t make my way into Veronica’s heart with looks anyways. She loves character and virtue, and has a sweet soul. It’s like her eyes, when met, melt at the corners.. as if…

Marianicy Cardona Cruz conjured up the second diary. While the text is a bit fantastical (yes, that’s was a whirlwind week!) her research into dress of the mid 19th century is stellar. The whole diary is charming, with much attention to the details of dress and the overall look of the journal (watercolor pages gave a lovely effect)   Very satisfying!

Caroline Fortin created the third diary—Rose Bertin at the court of Louis XVI in 1778. Rose Bertin was a controversial figure as dressmaker/stylist to Queen Marie Antoinette. Bertin’s unprecedented fashion creations raised the bar, and made Marie Antoinette THE trend setter, not usually the role of the Queen of France. Caroline’s diary alludes to Bertin’s unusual role, referencing her flitting into Versailles with unprecedented access to the Queen. The sketches very accurately depict fashion of the period.

Alexandra Goriounova created the last one, the diary of Princess Alexandra, wife of the future King Edward VII of England.  Her research was outstanding. She read near to everything published about Princess Alexandra. The illustrations are exceedingly professional.  They are as close to 1870s fashion magazine illustrations as I have seen. She clearly relished jumping into the other Alexandra’s life for a week, and rendered beautifully detailed sketches.  I was captivated by this diary…and learned a lot!