Category: Performance

It’s 2022. What’s still the purpose of a college education?

Education must enable one to sift and weigh evidence, to discern the true from the false, the real from the unreal, and the facts from the fiction. The function of education, therefore, is to teach one to think intensively and to think critically.

Martin Luther King, “The Purpose of Education,” The Maroon Tiger, January 1, 1947 to February 28, 1947.

Music from the Consortium: Berklee College of Music and Boston Conservatory Students Perform Leonard Cohen’s “Hallelujah”


Berklee College of Music and Boston Conservatory at Berklee students perform Pedro Osuna’s arrangement of Leonard Cohen’s “Hallelujah,” with vocalist Shalyah Fearing and cellist Nathaniel Taylor.


Now I’ve heard there was a secret chord
That David played, and it pleased the Lord
But you dont really care for music, do you?
It goes like this, the fourth, the fifth
The minor falls, the major lifts
The baffled king composing Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew her
She tied you to a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Well, maybe there’s a God above
As for me all I’ve ever learned from love
Is how to shoot somebody who outdrew you
But it’s not a crime that you’re here tonight
It’s not some pilgrim who claims to have seen the Light
No, it’s a cold and it’s a very broken Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Instrumental
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Well people I’ve been here before
I know this room and I’ve walked this floor
You see I used to live alone before I knew ya
And I’ve seen your flag on the marble arch
But listen love, love is not some kind of victory march, no
It’s a cold and it’s a broken Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
There was a time you let me know
What’s really going on below
But now you never show it to me, do you?
And I remember when I moved in you
And the holy dove she was moving too
And every single breath we drew was Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Now I’ve done my best, I know it wasn’t much
I couldn’t feel, so I tried to touch
I’ve told the truth, I didnt come here to London just to fool you
And even though it all went wrong
I’ll stand right here before the Lord of song
With nothing, nothing on my tongue but Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah
Written by Comments Off on Music from the Consortium: Berklee College of Music and Boston Conservatory Students Perform Leonard Cohen’s “Hallelujah” Posted in Music, Performance

Summer Reading, Andrew Gerst: Born to Run (2011)

Writes Andrew Gerst:

I recommend the book Born to Run by Christopher McDougall.  The book discusses the sport of “ultramarathoning,” the runners who participate in it, and the distinct running rituals of the Tarahumara people in rural Mexico.  Part cultural anthropology, part running memoir, and part adventure narrative, the book does a great job of explaining both the history and science behind the fascination in running 50 or 100 miles.

“A Sorry Sort I Am…”

Writes Professor Cheryl Clark:

After Poetry Workshop, Danie Grace (Animation ’19) wrote and designed a final book of poems in the Advanced Poetry Workshop I offer. She called her book Bittersweetner and, for her Animation II class, animated one of her poems. Out of play-dough on a 2D plane, she created this stop-motion animation called “A Sorry Sort I Am…”.

And she recites the poem to one and all on the spot!

Our Ancestors, Our Lives, & Ourselves: From Brazil to Fresh Catnip

Writes  (former) Liberal Arts Professor Felix Kaputu:

Felix Kaputu

I’m in Brazil, about to undertake a comparative analysis of the Likumbi Lya Mize (from Zambia) and the Congado (from Brazil). Both are festivals that celebrate ancestors’ memories in specific conditions.  The Congado also seems to carry many remembrances of African rituals especially those from Angola, Zambia, and the Democratic Republic of the Congo.

Bird by Bird…Some Thoughts About Writing

“Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write. It was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my  brother’s shoulder, and said, ‘Bird by bird, buddy.  Just take it bird by bird.’

Anne Lamott, Bird by Bird


Photo: Gerst July 16, 2017

Writes Professor Robert Gerst: The robins had built a nest in spring. They produced just two pale blue eggs that never hatched. Then they  assembled a whole row of nests.  They abandoned each…until this one last nest they tucked under the eaves. One mother here and three juveniles, all juveniles screaming, top of their bird lungs, “Me! Me! Me!”

Reading-Poetry-Like-We-Mean-It Freshman Seminar

“My thighs say thunderous. My thighs say too fat for skinny jeans. My thighs say wide, say open. My thighs say cellulite, say tattoo, say stretch marks, say pockmarks, say ingrown hair. My thighs feel upset that you only offered one bite of your Ben and Jerry’s Cherry Garcia,” begins Desireé Dallagiacomo’s poem, “Thighs.”

Dallagiacomo  performed  “Thighs” at the Last Chance Slam at the 2014 Women of the World Poetry Slam in Austin. Texas.

Reading-Poetry-Like-We-Mean-It students Austin Kimmell, Sara Manfredi, Julie Martin, and Morgan Metcalf  visualized Dallagiacomo’s poem in the video below, setting it on the Mass Art campus.

“Thighs” Film Adapation (2016). Video by Austin Kimmell, Sara Manfredi, Julie Martin, and Morgan Metcalf.