Category: Literature
“And if i were not a king…”
Books: Worlds that Sing to You
...Books are as important as almost anything else on Earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort or quiet or excite you. Books help us understand who we are and how we are to behave. They show us what community and friendship mean; they show us how to live and die. They are full of all the things that you don’t get in real life—wonderful, lyrical language, for instance, right off the bat. And quality of attention: we may notice amazing details during the course of a day but we rarely let ourselves stop and really pay attention. An author makes you notice, makes you pay attention, and this is a great gift.
Anne Lamott, Bird by Bird
“Fair Creature of an Hour…” (July 4, 2020)
Poem: John Keats, “When I have fears that I shall cease to be”
Music: Gustav Holtz, “Jupiter”
Figures of Babylon: oldest drawing of a ghost found in British Museum vault A 3,500-year-old image tablet of a ‘miserable male ghost’ gives up its secret
Read the story at The Guardian here
Figures of Babylon: oldest drawing of a ghost found in British Museum vault
A 3,500-year-old image tablet of a ‘miserable male ghost’ gives up its secret
A lonely spirit being led to eternal bliss by a lover on a Babylonian clay tablet. White line tracing © James Fraser and Chris Cobb for The First Ghosts, by Irving Finkel. Photograph: The British Museum
Sat 16 Oct 2021 13.00 EDT
Its outlines are faint, only discernible at an angle, but the world’s oldest drawing of a ghost has been discovered in the darkened vaults of the British Museum.
A lonely bearded spirit being led into the afterlife and eternal bliss by a lover has been identified on an ancient Babylonian clay tablet created about 3,500 years ago.
It is part of an exorcist’s guide to getting rid of unwanted ghosts by addressing the particular malaise that brought them back to the world of the living – in this case, a ghost in desperate need of a companion. He is shown walking with his arms outstretched, his wrists tied by a rope held by the female, while an accompanying text details a ritual that would to dispatch them happily to the underworld.
Dr Irving Finkel, curator of the Middle Eastern department at the British Museum, said the “absolutely spectacular object from antiquity” had been overlooked until now.
“It’s obviously a male ghost and he’s miserable. You can imagine a tall, thin, bearded ghost hanging about the house did get on people’s nerves. The final analysis was that what this ghost needed was a lover,” he said.
“You can’t help but imagine what happened before. ‘Oh God, Uncle Henry’s back.’ Maybe Uncle Henry’s lost three wives. Something that everybody knew was that the way to get rid of the old bugger was to marry him off. It’s not fanciful to read this into it. It’s a kind of explicit message. There’s very high-quality writing there and immaculate draughtsmanship.
“That somebody thinks they can get rid of a ghost by giving them a bedfellow is quite comic.”
As a world authority on cuneiform, a system of writing used in the ancient Middle East, Finkel realised that the tablet had been incorrectly deciphered previously. The drawing had been missed as the ghost only comes to life when viewed from above and under a light. Forgotten since its acquisition by the museum in the 19th century, the tablet has never even been exhibited.
Irving Finkel, a world authority on cuneiform script, tells the story of his ghostly discovery in The First Ghosts.
Finkel said: “You’d probably never give it a second thought because the area where the drawings are looks like it’s got no writing. But when you examine it and hold it under a lamp, those figures leap out at you across time in the most startling way. It is a Guinness Book of Records object because how could anybody have a drawing of a ghost which was older?”
While half the tablet is missing and it is small enough to fit in a person’s hand, the back bears an extensive text with the instructions for dealing with a ghost that “seizes hold of a person and pursues him and cannot be loosed”. The ritual involves making figurines of a man and a woman: “You dress the man in an everyday shift and equip him with travel provisions. You wrap the woman in four red garments and clothe her in a purple cloth. You give her a golden brooch. You equip her fully with bed, chair, mat and towel; you give her a comb and a flask.
“At sunrise towards the sun you make the ritual arrangements and set up two carnelian vessels of beer. You set in place a special vessel and set up a juniper censer with juniper. You draw the curtain like that of the diviner. You [put] the figurines together with their equipment and place them in position… and say as follows, Shamash [god of the sun and judge of the underworld by night].”
The text ends with a warning: “Do not look behind you!”
Finkel believes the tablet was part of a library of magic in the house of an exorcist or in a temple.
The ghost has appeared just in time for Halloween. Its discovery features in Finkel’s forthcoming book, The First Ghosts: Most Ancient of Legacies, to be published on 11 November by Hodder & Stoughton.
He himself has never seen a ghost, “even in the shadier vaults of the British Museum”, which is “riddled with ghosts”, he said. “In the King’s Library, more than one person has seen a head and shoulders moving along but at a peculiar height. That was dismissed by sceptics, but it turns out that the original floor under the present floor was actually low, which means that they were about right.”
He hopes to exhibit the Babylonian tablet, noting that such an artefact brings us closer to our ancestors: “All the fears and weaknesses and characteristics that make the human race so fascinating, assuredly were there in spades 3,500 years ago.
“I want people to know about this culture. Egypt always wins in Hollywood. If the Babylonian underworld is anything like it was described, then they’re all still there. So just remember that.”
The Summer in Sounds: July 12, 2021
Things to remember this day: Incessant rain. The mailman at the door. A shout in the street. The sound of a silent movie.
And Dr. Macphail watched the rain. It was beginning to get on his nerves. It was not like our soft English rain that drops gently on the earth; it was unmerciful and somehow terrible; you felt in it the malignancy of the primitive powers of nature. It did not pour, it flowed. It was like a deluge from heaven, and it rattled on the roof of corrugated iron with a steady persistence that was maddening. It seemed to have a fury of its own. And sometimes you felt that you must scream if it did not stop, and then suddenly you felt powerless, as though your bones had suddenly become soft; and you were miserable and hopeless.
Somerset Maugham, “Rain”
To See a world in a Grain of Sand
The Summer in Photos: July 5, 2021
The Book of Lost Books
Cornel West on Love, Wuthering Heights, and Franz Schubert
“The basic problem with my love relationships with women is that my standards are so high — and they apply equally to both of us. I seek full-blast mutual intensity, fully fledged mutual acceptance, full-blown mutual flourishing, and fully felt peace and joy with each other. This requires a level of physical attraction, personal adoration, and moral admiration that is hard to find. And it shares a depth of trust and openness for a genuine soul-sharing with a mutual respect for a calling to each other and to others. Does such a woman exist for me? Only God knows and I eagerly await this divine unfolding. Like Heathcliff and Catherine’s relationship in Emily Bronte’s remarkable novel Wuthering Heights or Franz Schubert’s tempestuous piano Sonata No. 21 in B flat (D.960) I will not let life or death stand in the way of this sublime and funky love that I crave!”
Cornel West : Brother West: Living and Loving Out Loud