Writes D.H. Lawrence:
For man, as for flower and beast and bird, the supreme triumph is to be most vividly, most perfectly alive.
- Apocalypse (1930)
Read all of Bad Day.here.
Every hurricane begins as just a cloud over the ocean. Thirteen years ago, one of those clouds became Hurricane Katrina, devastating the Gulf Coast of the United States. The storm broke records, it broke levees, it killed almost 2,000 people.
Chelsea Borg is a soon-to-be graduate of the Communication Design program, who will be spending her first summer post-grad interning at Untitled Worldwide in New York City.
Twelve years before that hurricane got its name, devastation rained down on a much smaller scale. That moment, in Long Beach, California, was when Calvin Cooksey turned his back on his family. Katonya Breaux and her five year old son, Christopher Breaux, were suddenly alone on the West Coast. Calvin had left without so much as an explanation. Mother and son retreated to her hometown of New Orleans. There, Katonya’s parents would be able to support her and her child.
For the next twelve years, the family deepened their roots in Louisiana. In 2005, Christopher Breaux, now a teenager, moved himself into a dorm at the University of New Orleans. A jazz bar regular and car-washing, lawn-mowing, dog-walking hustler, Christopher was ready to begin his formal education studying music.
Then came Katrina.
Writes Jillian Larsen:
Achy Obejas is an adept poet, journalist, activist, writer, teacher, and translator. She was born in Havana Cuba in 1956, and came to the United States at the age of six. Obejas grew up in Michigan City, Indiana, then later moved to Chicago in 1979. At 39 years old, Obejas returned to Havana, to experience the island of her birth that had transpired as a figment of her imagination and integrity of self.
Read here the whole Jillian Larsen essay, Mattering Transcends Meaning in Identifying the Work vs. The Artist.
February 18, 2019
His thoughts used to be a bounty that always called to me. My sloshed child-self led me to his grungy crazy red headed presence. I was only ever fond of him, never romantic. I was more into women than him, but still he was always there. The lustful bond led to my daughter, Reya, the paragon of life and love. She is the core of my sacred dreamworld, all my creations are for her. With her birthed existence emerged a new sense of serenity of spirit. One that finally I didn’t have to smoke to feel. My daughter’s father is not the man my father is, he is much less. I find myself wondering, if he was to grow out of his arrogance and sober himself, if then I could love him. I no longer fool myself pretending to fill the void with what I know he can’t. I know that he can’t feed me like I can. His parents are sweet, but dysfunctional at home with him. My daughter’s father has made me cringe almost every time he’s ever tried to seduce or console me. He is endlessly frustrating, carelessly in his own world. He works and takes classes, but lacks in social skills and any sense or charm. I have to refocus his attention onto Reya. He gets excited with his thoughts. He thinks that anytime someone is in his vicinity, they want to be enlightened by whatever the fuck he happens to be pondering. His mind is always tripping balls in one sense or another, and he struggles to communicate with anyone without pissing them off. He is irritating and ugly, though sometimes, when he is quiet and observing, he is sexy. Mostly when he limits what he says, and doesn’t touch me, I enjoy him.
I named a series of paintings of my daughter “Prelude.” I’m always trying to find a balance between caring for my daughter and making art. My daughter and my art are the loves of my life. I can’t be a mother without making time for art, and I can’t be an artist without making time for my girl.
Writing is like population control for my thoughts. Necessary for the health of the environment. My worries and obsessions are an invasive species in the delicate ecosystem of my sanity…” With no natural predator, they’re free to procreate wildly. They graze and gorge themselves on the fragile flora that is native to my mind, the little bursts and blooms of creativity, empathy, motivation. I pin these thoughts to paper to before they consume the entire food chain. Their numbers briefly diminished, my worries are banished again to the shadows of my mind.
What happens to a worry left untamed? Most times, I’ll find myself ruminating- taking an anxious thought and following it in a downward spiral, making one worry lead to another to another to another until I loop back to the first thing I was worrying about and begin the ritual again. Chewing over the same thought on a feedback loop. Why did I say that? Why did I say that?
When I write, the words have already been spinning around in my head for a good three or four rotations. The act of writing, for me, is not the creation of the thought, but the opportunity to finally put it to rest. To control it. The sentence I’m writing at this moment has been fully formed in my head for the last three lines, and now, as I type, I’m free of it. It’s become just a cluster of black pixels against the bright white of my computer screen. When I can see something, when it becomes a physical object, I’m no longer being tasked to remember (and remember and remember over and over). Now untangled and displayed plainly, I can appreciate how harmless the simple sentence is. Appealing, even. What was once a predator is now a seed of an idea, planted for future exploration. The written rumination is safe and well preserved enough that I feel ready to face the next invasion.
“It Was A Lover and His Lass,” Alfred Deller
Write Lin Haire-Sargeant and Robert Gerst:
Above, Lin Haire-Sargeant and Carol McCarthy enjoy a moment with (the spirit of) Nobel Prize winner Thomas Mann, whose magisterial novel The Magic Mountain the Liberal Arts reading and discussion group Constant Readers have been reading this spring semester. Leon Steinmetz led the Mann discussions.
What’s Constant Readers?
Constant Readers are Mass Art people who gather together to read fiction, poems, and prose for the joy of reading. No oaths of allegiance! No dues! Just people who share a conviction that novelist William Faulkner expresses in his 1949 Nobel Prize acceptance speech. The writer’s privilege, Faulkner proclaims, is “to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet’s voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.”
In Fall 2018, Debra San led a discussion of sustained contradiction as a literary mode, Robert Gerst led the readers in considering the state of academic freedom in contemporary American higher education, Louise Myers led the readers through James Joyce’s The Dead, and Paul Bempechat led the readers in considering musical settings of great poems created by great composers.
Starting September 2019, there’ll be more. Lin Haire-Sargeant will be leading the readers into the world of twentieth century novelist and philosopher Iris Murdoch’s Under the Net and The Sea, The Sea. And then a play by Beckett or Chekhov? A history of the turbulent twentieth century?
Email Lin Haire-Sargeant to join our email list, to hear about dates and times of forthcoming gatherings, to read what we’re reading, to pitch a book or a writer you’d love to talk about with people who love to talk about books.