Noriyoshi Needle: The pain, loneliness, violence, sensitivity, and eloquence of Frankenstein’s Monster

Writes Noriyoshi Needle:

For my final project for Professor Norrie Epstein’s Literary Traditions, I chose to make a marionette puppet based on my interpretation of the monster in Mary Shelley’s Frankenstein. I made the skeleton and joints of the puppet out of scrap wood and then covered it with Styrofoam which I shaped using hand tools. Finally, I painted it, using epoxy putty to make its fingers, toes, nipples, and naval. I chose a dark shade of teal to suggest that his body is a conglomeration of body parts taken from corpses. I painted his eyes bright orange to create a menacing sense of unnatural life sparked from within.

My version of the monster drastically contrasts with original. I wanted him to look more monster than human. He’s not simply ugly. He is a combination of scariness, awkwardness, mythic strangeness, and amiability. Like Frankenstein, I found many different materials and limb by limb constructed my very own monster. Instead of using complicated science to resurrect the dead, I manipulated strings to bring my creation to life.

I did not want to present only the puppet as my final, so I created a video of it performing an excerpt from the Monster’s speech to Frankenstein as they sit by the fire in an ice cave. In this excerpt, the monster asks the doctor to make him a mate so he will finally have someone who would understand him. I enjoyed this section because it illustrates the great struggle of pain, loneliness, violence, sensitivity, and eloquence that the monster possesses within him.


What the Monster Says to Frankenstein:

“I expected this reception…All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends…Have I not suffered enough, that you seek to increase my misery? Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. Remember, thou hast made me more powerful than thyself; my height is superior to thine, my joints more supple. But I will not be tempted to set myself in opposition to thee. I am thy creature, and I will be even mild and docile to my natural lord and king if thou wilt also perform thy part, the which thou owest me. Oh, Frankenstein, be not equitable to every other and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded…The desert mountains and dreary glaciers are my refuge. I have wandered here many days; the caves of ice, which I only do not fear, are a dwelling to me, and the only one which man does not grudge. These bleak skies I hail, for they are kinder to me than your fellow beings.”

 

#$!&^!!!…The Graphic Novel….It’s Alive!


Writes Professor Lin Haire-Sargeant:

This was an end-of-term reading/showing of original graphic novels/comics written as a final project for two sections of The Graphic Novel– about 50 graphic novels in all. Books for reading covered multiple tables  and those who wanted to read aloud from their works did so. Thanks to these readers: Chris MacDonald, Brianna Bussierre,  David Oneacre, Amanda Pedersen, Keagan Marcella, Isabelle Bedarf,Samuel Strojny, Anthony Iovino, Keith Blagden, Jenna Ferland,  Anthony Lambros. Justin Heywood, Otis Meehan, and Isis Hack

Animating Literary Traditions: The Story Of Creation According to Phong Tuong


In his animation above (created for Professor Norrie Epstein’s Literary Traditions), Phong Tuong animates Creation as he envisions it. He explain  his animation this way:

Let there be light.

As Adam, the triangle, moves in to the frame, he discover a door leading to Eden, his way out of darkness. And so he goes through the door and meets Eve, the circle, and her friend Oedipus, the square.

With light comes darkness, so a new entity follows Adam from below the darkness, its name Truth (or Knowledge).

Detail: Adam and Eve: The Fall of Man (1616). Hendrik Goltzius

All three little shapes are playing along and having an innocent and fun time together until Truth comes along and consumes its first victim, Eve, just as she was the first to consume the apple.

Both Oedipus and Adam try to run away from Truth but they can’t run from it forever. Oedipus first succumbs to it. Then Truth comes to Adam, reveals the real world, and offers him a choice — refuse or accept it.

As in Plato’s Allegory of the Cave, Adam emerges from the cave called Eden and comes out to the real world. Adam reunites with his friends and they run along. Truth has done its job and departs as the screen fades to black.