Month / October 2017
Spring 2018 Liberal Arts Courses
Scriptwriting Workshop
Writes the MassArt Playwrights’ Workshop:
November 4th and 5th, playwright David Mulei is offering an exciting MassArt continuing education scriptwriting workshop: “Scriptwriting: Crafting The Dramatic Scene.” He’s a very good listener, highly sensitive to textual details, nuanced voices, and the cues that audiences need. He is also very patient.
His plays include Household Effects (a foreign service, domestic drama), Stubborn Things, The Crowded Hour, and The Best Places to Live. He’s developed his work in LA and NYC at Open Fist, Rogue Machine, and Arena Stage (TOA. You can learn about the workshop here.
Boston Chinatown
Writes Professor Lisong Liu:
Chinatowns mean a lot to me as a teacher and researcher specializing in Chinese migration to the US. A Chinatown is often the first place I visit when I travel to a large American city, not just for the wonderful and familiar Chinese food but also for its historical and contemporary significance. Chinatowns show the historical experience of Chinese in America, both racial discrimination and exclusion (thus the formation of Chinatown for mutual protection and support) and the resilience and creativity of the community in the face of adversity.
I am teaching the Chinese diaspora course this semester, and I will bring my students to Boston Chinatown for a field trip this coming week. This panel discussion is another wonderful opportunity for my students to understand Chinese migration in local, national and global contexts. I hope the event can highlight the community’s voice and remind people of the importance of respecting differences and welcoming migrants, whose history is American history, our own history.
Reading Shakespeare for the Joy of It
Professor Emeritus Athans Boulukos & friends are re-reading Julius Ceasar in the LIberal Arts office because Shakespeare gives the inner life a voice. With Professor Boulukos are Liberal Arts colleagues Joshua Cohen, Albert Lafarge, Robert Gerst, Carol McCarthy, Carol Boulukos, Leon Steinmetz, Lin Haire-Sargeant, and Professor Emerita Debra San.
Lin Haire-Sargeant took the photos. There’s a chair at that table reserved for you.
Visiting Professor Paul Bempechat, Knighted by the Republic of France
String Trio No. 1 (Jean Cras)
Upon his recognition as a Chevalier de la France, Paul-André Bempechat remembered this:
Just as the instinctive performer can find her- or himself thunderstruck at the discovery of a new work – the arresting slow movement of Schubert’s String Quintet; Gustav Mahler’s Lied, Ich bin der Welt abhanden gekommen; the prophetic slow movement of Beethoven’s “Hammerklavier” Sonata or the heart-wrenching final movement of Schumann’s C major Fantasy – so can the historian become overwhelmed upon reading the manna-from-heaven which is the correspondence and archives of a near-forgotten composer. In this case, Jean Cras, composer, physicist, a patented inventor, a multi-decorated Admiral for his service to humanity during the Great War, a loving husband and father corresponding daily from afar during lengthy tours of duty. Continue reading →
Lisa Rosowsky: Truth
Now, when words and truth are estranged,
and slide by each other, nodding, like exes at a party,
what words should we trust?
When war empties out whole countries and the brown water rises,
what is fed to the people but words, words enough to choke on, if they don’t starve first?
Pity the poets, trying to wring from words
whatever truth might still be left
after the despots and liars have crumpled them up,
leaving them to litter the refugee roads.
Thank God then for the artists,
for their language has yet to be fouled.
Truth still resides in the etched black line, the pot well thrown,
the aperture that clicks upon what cannot after be unseen.
Even as you pluck the words from the roadsides and try to smooth them into sense,
artists are clothing the bent backs, drafting plans for the shelters,
finding where beauty hides in this roiling world and drawing it out.
When there is nothing to be said that can be certified true,
nothing to be heard that doesn’t mean one thing and still another,
why reach for words?
Trust instead the color, the image, the form carved into space
which is what it is and therefore cannot lie.
If you seek truth on this shaky, burdened, hopeful planet,
why not make art?
About This Blog
Fresh Catnip illustrates what Mass Art students and faculty create together in Liberal Arts. We demonstrate here what dazzles, amazes, intrigues, invents, uncovers, conjoins. In Liberal Arts, we help students connect with the energy we call inspiration. Mind sets hand in motion.
Your Fall 2021-Spring 2022 Mass Art Liberal Arts Faculty:
•Hossein Alizadeh•Chris Bakriges•Sara-Anne Beaulieu•Paul-André Bempéchat•Gerry Bilodeau•Cheryl Clark•Josh Cohen•Jennifer Cole• Chico Colvard•Kristin Demary•Jeanette Eberhardy•Norrie Epstein•Jennie-Rebecca Falcetta•Robert Gerst•Alan Gluck•Max Grinnell•Lin Haire-Sargeant•Debbie Hagan•Carol Hall•Denise Harlan•Michael Hamburger•Gunta Kaza•Peter Kenagy•Jan Kubasiewicz•Albert Lafarge•Lisong Liu•Divya Menon•Richard Murphy•Saul Nava•Judith Nies•Karla Odenwald•Marika Preziuso•Cindy Smith•Maura Smyth•Leon Steinmetz•Daphne Strassman•Shuba Sunder•Enzo Surin•Chris Stribakos•Jasminka Udovicki•Christine Vitale