Erin Day

August 27, 2012
by Erin Day
0 comments

Social Media and The Art Classroom

Should social media be used in the classroom? Should social media be used in the classroom? If so, which programs? For which grades? How should it be used?/For what purpose? Or, is there some other program that could be useful?

I am teaching new media subjects, graphic design and digital photography. Social media is widely used in these industries. Students need to learn how to use social media in a healthy way and create a web presence that represents themselves in a positive light. By not using social media in schools we are missing an opportunity to teach students a real world skill. The only social media site I would discourage use of is Facebook. It’s too easy to get distracted by the social aspect, and if sharing on Facebook is important to the project, there are many ways to upload images to Facebook via Twitter, Instagram, Flickr, etc.

Should you have an online presence as an art teacher, or a presence for your art classroom? What form will this take and what is the purpose? Should this mix with your other online identities? Why or why not?

I plan to maintain an artist/teacher blog, along with a blog for each of my classes. My only other online identity is my Facebook account with full privacy settings and little to no information; I do not think it is appropriate to be Facebook friends with my students.

How will you communicate with parents? What platform/program will you use? How often will you update it? What type of updates can you do that will speak to the interests of parents without contributing to your own burn-out?

Parents will have access to the class blog. I will also post a summary of each project on the blog, complete with lesson plan and visual resources. Parents will not be able to comment, but will be encouraged to email or call me with suggestions.

Source:
http://gawker.com/5845057/just-let-kids-use-the-damn-internet-at-school

August 27, 2012
by Erin Day
11 Comments

This Pattern Project Has More Substance

PATTERN PROJECT 1
Computer Graphics
Grade Levels: 9, 10, 11, 12
Author: Erin Day

Project Summary
Students will be introduced to the rich history of pattern design. Past and present patterns will be explored and discussed, as well as the role of pattern in politics, society, and art. A unique feature of a pattern is its ability to adapt. Students will create an initial pattern then experiment with scale and color to create additional patterns that showcase adaptability. The project will end with a display of the students’ work and a discussion about what they learned about the historical and contemporary uses of pattern design, the adaptability of graphic arts, Adobe Illustrator and the elements and principles of design.

Course Throughlines
-How does graphic design shape our view of the world?
-What are the social, political, historical and contemporary uses of graphic design?

Enduring Question
How can I learn to make informed design decisions and effectively communicate my message to the intended audience?

Essential Questions
-How can my understanding of the historical and current uses of pattern design influence my motif?
-How can I experiment with scale and color to change the presence of my pattern?
-How can I explain my working process to a group and give useful feedback to a peer?

Objectives
-Students will develop an understanding of how pattern design was used in the past and is being used in the present.
-Students will develop the ability to use Adobe Illustrator to overlap and arrange shapes, scale individual objects and whole patterns, and change the color and transparency of shapes.
-Students will begin to develop their ability to speak about their artwork and give feedback to other students.

Materials
Computers, Adobe Illustrator, Paper, Printer.

Vocabulary
Adaptability, Motif, Repetition, Shape tool, Color, Swatches, Mirror, Arrange, Transform, Group, Scale.

Artists
Andy Warhol, James Cambronne, Jasper Johns, Laylah Ali, Ellen Gallagher, Paul Klee, Yinka Shonibare, Do-Hoh Suh, Johanna Basford, Images of historical and contemporary textile and decorative pattern design.

Studio Habits of Mind
Develop Craft, Stretch and Explore, Envision, Express, Engage and Persist, Understand Art World.

Massachusetts Visual Arts Standards
1.9 Demonstrate the ability to create 2D and 3D works that show knowledge of unique characteristics of particular media, materials, and tools. 1.10 Use electronic technology for reference and for creating original work. 1.11 Explore a single subject through a series of works, varying the medium or technique.1.12 Describe and apply procedures to ensure safety and proper maintenance of the workspace, materials, and tools. 2.12 Apply knowledge of color theory to a project focusing on the use of grades complementary colors. Be able to use values of colors in wet and dry media to create the illusion of 3D form on a 2D surface. 2.13 Use color, line, texture, shape, and form in 2D and 3D work and identify the use of these elements in the compositions of others Examples include: line as edge treatment and in patterns; color temperature, mass and volume as functions of color, size, perspective; negative space; visual and surface textures. 2.14 Review systems of visualizing information and depicting space and volume, for example, scale and vanishing point, linear, atmospheric, and isometric perspective; and create works using these systems. 2.15 Create artwork that demonstrates understanding of the elements and principles of design in establishing a point of view, a sense of space, or a mood. 3.10 Create 2D and 3D images that are original, convey a distinct point of view, and communicate ideas. 5.8 Demonstrate the ability to compare and contrast two or more works of art, orally and in writing, using appropriate vocabulary. ­­­7.5 Analyze how the arts and artists are portrayed in contemporary newspapers, magazines, films, and electronic media.

Procedure

Day 1

Lecture: I show the students a slide presentation featuring social, political, historical, and current images of patterns being used across a variety of disciplines and industries. I tell the students that their pattern should be inspired by past or present pattern design, and that they will have time to research after the slide show. They are of course welcome to use one of the artist’s featured in the presentation, but will be required to research a bit deeper.

Demonstration: I teach the students how to open the Adobe Illustrator program. I show them how to use the shape took to create simple forms. I teach the students how to adjust the shapes color, size, transparency and placement. I show the students how to drag their motif into the swatches palette and teach them how to apply their pattern to a section of the page. I teach the students how to change the scale of their pattern, and tell them to consider creating a new pattern from the scaled up or down version of their original design.

Students at Work: Students experiment with program. I walk around the room and help individual students and groups of students.

Homework: Students spend 20 – 30 researching patterns. They can go online, take a walk, look around their room or house, etc. They just need to find a pattern or image to be inspired by.

Day 2

Students at Work: Students work on their designs. I walk around the room and help individual students and groups of students.

Day 3

Students at Work: Students work on their designs. I walk around the room and help individual students and groups of students.

Day 4

Students at Work: Students finish their projects in the beginning of class. I walk around the room and help individual students and groups of students.

Critique: Students hang their designs and we discuss what they learned about historical and contemporary pattern design, the adaptability of graphic arts, Adobe Illustrator and the elements and principles of design.

Assessment

Each question is worth 1/3 of the final grade. The teacher addresses the questions and responds to each student in writing.

-Is the student able to explain how their motif was influenced by a historical or contemporary use of pattern design?

-Did they student experiment with color and scale and create multiple versions of their pattern?

-Did the student participate in the group discussions and offer constructive advice that goes beyond, “I like…” statements?

August 26, 2012
by Erin Day
6 Comments

Final Project: Biology Lesson Plan

 

Biology Project
Digital Photography + Biology
Grade Levels: 9, 10, 11, 12
Author: Erin Day

Project Summary
In this project, art and science merge when the photography class works with the biology class. Students are assigned to groups of four and are challenged to create a biology article for the National Geographic Website. The topic is up to them; it just must be concerned with the study of life and living organisms. The students are assigned roles, photographer, producer, designer, and editor. All students must write and conduct research. Students will create a web article and a slide show about their subject. The project will end with a display of the students’ work and a discussion about what they learned about their subject, and working collaboratively.

Course Throughlines
-How do images shape our view of the world?
-What are the social, political, historical uses of past and present photography?

Enduring Questions
-How can we work effectively as a team to research and produce an engaging web article about a living organism or a biological process?

Essential Questions
-How can we brainstorm and agree on a topic?
-How can we organize our research and create a narrative?
-How can we design and edit our project so it is unified and cohesive?

Objectives
-Students will develop a deeper understanding of how images are used in society.
-Students will develop a better ability to work effectively in a group.
-Students will increase their ability to conduct and organize research, and create a narrative.
-Students will gain an increased self-knowledge about a living organism or a biological process.

Materials
Digital still cameras, Adobe Photoshop, Adobe Illustrator, Word Press.

Vocabulary
Cells, Genes, Organisms, Biochemistry, Molecular Biology, Cellular Biology, Physiology, Ecology.

Artists
Man Ray, Karl Blossfeldt, Berenice Abbott, Harold Edgerton, Paul Caponigro, David Doubilet, Andy Goldsworthy, Barbara Bosworth, Magnified images of cells.

Studio Habits of Mind
Develop Craft, Observe, Stretch and Explore, Envision, Express, Reflect, Engage and Persist, Understand Art World.

Massachusetts Visual Arts Standards
1.9 Demonstrate the ability to create 2D and 3D works that show knowledge of unique characteristics of particular media, materials, and tools. 1.10 Use electronic technology for reference and for creating original work. 1.11 Explore a single subject through a series of works, varying the medium or technique. 1.12 Describe and apply procedures to ensure safety and proper maintenance of the workspace, materials, and tools. 2.12 Apply knowledge of color theory to a project focusing on the use of grades complementary colors. Be able to use values of colors in wet and dry media to create the illusion of 3D form on a 2D surface. 2.13 Use color, line, texture, shape, and form in 2D and 3D work and identify the use of these elements in the compositions of others Examples include: line as edge treatment and in patterns; color temperature, mass and volume as functions of color, size, perspective; negative space; visual and surface textures. 2.15 Create artwork that demonstrates understanding of the elements and principles of design in establishing a point of view, a sense of space, or a mood. 3.8 Create representational 2D artwork from direct observation and from memory that convincingly portrays 3D space and the objects and people within that space. 3.9 Create 2D and 3D artwork that explores the abstraction of ideas and representations. For example, students make images that represent abstract concepts such as respect for human rights, empathy, solitude, community, justice, or injustice. 3.10 Create 2D and 3D images that are original, convey a distinct point of view, and communicate ideas. 4.9 Demonstrate the ability to conceptualize, organize, and complete long-term projects, alone and in group settings. Conceptualize: plan, generate ideas, make preliminary sketches, participate in discussions, imagine outcomes, and set goals; Organize: choose materials and techniques to attain the desired look and feel; maintain work space and personal schedule; review progress of work with others; and revise work appropriately; Complete: prepare work for presentation or exhibition. 4.10 Demonstrate the ability to develop an idea through multiple stages, responding to criticism and self-assessment. 5.8 Demonstrate the ability to compare and contrast two or more works of art, orally and in writing, using appropriate vocabulary. 10.3 Continue the above and apply knowledge of cultural institutions to learning in the arts and other disciplines

Procedure

Day 1

Lecture: I show the students a slide presentation of scientific images and introduce the project.

Discussion: I tell the students about the different types of biology; the students and I create a list of living organisms and biological processes.

Students at Work: I assign students to their groups, and tell them to narrow their topic by the end of class. I walk around the room listen to and talk with the groups of students.

Lecture: I wrap up the class and tell the students their homework is to begin research. Each student must spend 20 – 30 minutes learning about their subject, and must bring two reliable sources to the next class. They can gather information by watching television or video; listening to audio; reading web or print journals, articles and books; or interviewing an expert. Each group must have a minimum of eight reliable and cited sources.

Day 2

Students at Work: Students brainstorm in groups. They make a list of questions they want to answer about their subject. I help each group focus in on their topic and solidify their ideas. Students begin to decide how to illustrate their topic and design their web article.

Lecture: I wrap up the class and tell the students that they should have a final outline and list of sources in two days.

Day 3

Students at Work: Students research, write and began to photograph their subject.

Lecture: I wrap up the class and remind the students that they should have a final outline and list of sources for next class.

Day 4

Students at Work. Students research, write, and photograph their subject. I discuss their outline and sources with each group.

Day 5

Students at Work. Students research, write, and photograph their subject, and begin to graphically design article. I help individual students and groups of students.

Day 6

Students at Work. Students write, photograph, edit and graphically design article. I help individual students and groups of students.

Day 7

Students at Work. Students edit their writing, photographs and design. I help individual students and groups of students.

Lecture: I remind students that they only have two classes left to finish their project.

Day 8

Students at Work. Students edit their writing, photographs and design. I help individual students and groups of students.

Lecture: I remind students that they only have one class left to finish their project.

Day 9

Students at Work. Students edit their writing, photographs and design. I help individual students and groups of students.

Lecture: I remind students that their project must be posted to their blog by the start of the next class.

Day 10

Critique: Students present work to the class and discuss what they learned about their topic, and how they worked together as a group.

Assessment
Each section is worth 1/4 of the final grade. The teacher addresses the questions and responds to each student in writing.

-Did the student contribute to the group? Did they display leadership skills, take on extra work, and help others? Did they have a good attitude? Did they take on their fair share? Were they on time to group meetings? Did they treat others with respect?

-Did the project display knowledge of a living organism or biological process? Was the student able to answer questions or speak about their subject in depth?

-Did the article appear unified and well organized?

-Did the student participate in the group discussions and offer constructive advice that goes beyond, “I like…” statement?

August 23, 2012
by Erin Day
9 Comments

Pattern Project – Lesson Plan

PATTERN PROJECT 1
Computer Graphics
Grade Levels: 9, 10, 11, 12
Author: Erin Day

Project Summary
Students will be introduced to the Adobe Illustrator program by learning how to create patterns. The project will begin with a slide show of artists and designers who use patterns in different ways. I teach the students how to make shapes and create motifs using Adobe Illustrator. Students will experiment with color, placement, and scale and create 3 original patterns. The project will end with a display of the students’ work and a discussion about what they learned about Adobe Illustrator and the elements and principles of design.

Course Throughline
How can I learn to make informed design decisions and use the appropriate type and image combinations that effectively communicate my message to the intended audience?

Enduring Question
How can I use repetition to create a well-balanced composition?

Essential Questions
-How can I use overlapping shapes to create a unique pattern?
-How can I experiment with scale, and use it to find and create interesting motifs?
-How can I use color and value to create contrast among the shapes in my pattern?

Learning Objectives
-Students will learn how to use Adobe Illustrator to overlap and arrange shapes.
-Students will learn how to scale individual objects and whole patterns using the scale tool in Adobe Illustrator.
-Students will learn how to change the color and transparency of shapes within Adobe Illustrator.

Materials
Computers, Adobe Illustrator, Paper, Printer.

Vocabulary
Repetition, Shape tool, Color, Swatches, Mirror, Arrange, Transform, Group, Scale.

Artists
Andy Warhol, James Cambronne, Jasper Johns, Laylah Ali, Ellen Gallagher, Paul Klee, Yinka Shonibare, Do-Hoh Suh.

Studio Habits of Mind
Develop Craft, Stretch and Explore, Envision, Express, Engage and Persist, Understand Art World.

Massachusetts Visual Arts Standards
1.9 Demonstrate the ability to create 2D and 3D works that show knowledge of unique characteristics of particular media, materials, and tools. 1.10 Use electronic technology for reference and for creating original work. 1.11 Explore a single subject through a series of works, varying the medium or technique. 1.12 Describe and apply procedures to ensure safety and proper maintenance of the workspace, materials, and tools. 2.12 Apply knowledge of color theory to a project focusing on the use of grades complementary colors. Be able to use values of colors in wet and dry media to create the illusion of 3D form on a 2D surface. 2.13 Use color, line, texture, shape, and form in 2D and 3D work and identify the use of these elements in the compositions of others Examples include: line as edge treatment and in patterns; color temperature, mass and volume as functions of color, size, perspective; negative space; visual and surface textures. 2.14 Review systems of visualizing information and depicting space and volume, for example, scale and vanishing point, linear, atmospheric, and isometric perspective; and create works using these systems. 2.15 Create artwork that demonstrates understanding of the elements and principles of design in establishing a point of view, a sense of space, or a mood. 3.10 Create 2D and 3D images that are original, convey a distinct point of view, and communicate ideas. 5.8 Demonstrate the ability to compare and contrast two or more works of art, orally and in writing, using appropriate vocabulary. ­­­7.5 Analyze how the arts and artists are portrayed in contemporary newspapers, magazines, films, and electronic media.

Procedure

Day 1
Lecture: I show the students a slide presentation of artists who use patterns in different ways. The slide show also includes images of commercial patterns and textile design.

Demonstration: I teach the students how to open the Adobe Illustrator program. I show them how to use the shape took to create simple forms. I teach the students how to adjust the shapes color, size, transparency and placement. I show the students how to drag their motif into the swatches palette and teach them how to apply their pattern to a section of the page. I teach the students how to and change the scale of their pattern, and tell them to consider creating a new pattern from the scaled up or down version of their original design.

Students at Work: Students work on their designs. I walk around the room and help individual students and groups of students.

Day 2

Students at Work: Students work on their designs. I walk around the room and help individual students and groups of students.

Day 3

Students at Work: Students finish their projects in the beginning of class. I walk around the room and help individual students and groups of students.

Critique: Students hang their designs and we discuss what they learned about the illustrator program and the principles of design such as shape, overlap, repetition, size, color, value, placement, and scale.

Assessment
Each question is worth 1/4 of the final grade. The teacher addresses the questions and responds to each student in writing.
-Students will learn how to use Adobe Illustrator to overlap and arrange shapes.
-Students will learn how to scale individual objects and whole patterns using the scale tool in Adobe Illustrator.
-Students will learn how to change the color and transparency of shapes within Adobe Illustrator.
-Did the student participate in the group discussions and offer constructive advice that goes beyond, “I like…” statement?

August 22, 2012
by Erin Day
7 Comments

Berenice Abbott Inspired This Lesson Plan

Unseen Force
Digital Photography
Grade Levels: 9, 10, 11, 12
Authors: Erin Day and Aaron Digaudio

Project Summary
In this project, students will create a series of 5 digital photographs that depict an unseen force of their choice. Students will be introduced to this project through the Bernice Abbott exhibition we attended on Monday, August 20, 2012 at the MIT Museum in Cambridge, MA. Bernice Abbott started her photography career as Man Ray’s assistant. Man Ray is famous for his surrealist rayographs – sophisticated photograms – and his nude photos with glowing edges. Using surrealism as her visual framework, Bernice began her photographic investigation of the scientific realm. What resulted, are graphic and beautifully abstract black and white photographs illustrating unseen forces, such as static, gravity, and time.

Course Throughlines
How can I learn to use the photographic tools and develop my style as a photographer?
How can I learn to select the most appropriate toning, printing, and display methods to best convey my intended idea?

Enduring Question
How can I illustrate an unseen force?

Essential Questions
-How can I use my viewfinder to frame an image and create a compelling composition?
-How can I use depth of field to emphasize the subject of my photograph?
-How can my choice of paper, color, and Photoshop techniques impact the meaning of my image?

Learning Objectives
-Students will pay attention to the edges of their viewfinder and use the frame to create a well-balanced and interesting composition.
-Students will experiment with depth of field and use their aperture to place emphasis on the intended subject of their photograph.
-Students will use the Photoshop tools and techniques to create an image that best conveys the emotion they intended.

Materials
Digital camera, Adobe Photoshop, Printer, Paper.

Vocabulary
Edge, Depth of field, Pictorial Space, Viewfinder, Dominance/Emphasis, Intent.

Artist/Slide Resource
Photographs taken by the author at the MIT Museum in Cambridge, MA in August 2012.

Studio Habits of Mind
Develop Craft, Observe, Stretch and Explore, Envision, Express, Reflect, Engage and Persist, Understand Art World.

Massachusetts Visual Arts Standards
1.9 Demonstrate the ability to create 2D and 3D works that show knowledge of unique characteristics of particular media, materials, and tools. 1.10 Use electronic technology for reference and for creating original work. 1.11 Explore a single subject through a series of works, varying the medium or technique. 1.12 Describe and apply procedures to ensure safety and proper maintenance of the workspace, materials, and tools. 2.12 Apply knowledge of color theory to a project focusing on the use of grades complementary colors. Be able to use values of colors in wet and dry media to create the illusion of 3D form on a 2D surface. 2.13 Use color, line, texture, shape, and form in 2D and 3D work and identify the use of these elements in the compositions of others Examples include: line as edge treatment and in patterns; color temperature, mass and volume as functions of color, size, perspective; negative space; visual and surface textures. 2.15 Create artwork that demonstrates understanding of the elements and principles of design in establishing a point of view, a sense of space, or a mood. 3.8 Create representational 2D artwork from direct observation and from memory that convincingly portrays 3D space and the objects and people within that space. 3.9 Create 2D and 3D artwork that explores the abstraction of ideas and representations. For example, students make images that represent abstract concepts such as respect for human rights, empathy, solitude, community, justice, or injustice. 3.10 Create 2D and 3D images that are original, convey a distinct point of view, and communicate ideas. 4.9 Demonstrate the ability to conceptualize, organize, and complete long-term projects, alone and in group settings. Conceptualize: plan, generate ideas, make preliminary sketches, participate in discussions, imagine outcomes, and set goals; Organize: choose materials and techniques to attain the desired look and feel; maintain work space and personal schedule; review progress of work with others; and revise work appropriately; Complete: prepare work for presentation or exhibition. 4.10 Demonstrate the ability to develop an idea through multiple stages, responding to criticism and self-assessment. 5.8 Demonstrate the ability to compare and contrast two or more works of art, orally and in writing, using appropriate vocabulary. 10.3 Continue the above and apply knowledge of cultural institutions to learning in the arts and other disciplines

Procedure

Day 1
Lecture: I show the students a slide presentation of scientific photographer Bernice Abbott – taken at the MIT Museum, and discuss my experience as a visitor.
Discussion: The students and I discuss and list other unseen forces. I remind them to consider unseen emotional forces as well, such as empathy, love, and feeling left out.
Students at Work: I arrange the students in small groups of 4, so they can brainstorm ideas. I walk around the room listen to and talk with the groups of students.
Lecture: I wrap up the class and tell the students their homework is to begin shooting. These shots don’t have to be part of their final, but they could be. I tell the students to think of these shots as sketches.

Day 2
Students at Work: Students upload their images and share them with different groups of 4. I walk around the room and help individual students and groups of students solidify their ideas.
Lecture: I wrap up the class and tell the students to keep shooting.

Day 3
Students at Work: Students work on their images. I walk around the room and help individual students and groups of students.
Lecture: I wrap up the class and tell the students to keep shooting.

Day 4
In Process Critique: Students share their work in progress with the class.
Students at Work: Students work on their images. I walk around the room and help individual students and groups of students.
Lecture: I wrap up the class and tell the students to keep working, and remind them they only have 3 in class work sessions left.

Day 5
Students at Work: Students work on their images. I walk around the room and help individual students and groups of students.
Lecture: I wrap up the class and tell the students that they should be ready to start printing no later than the middle of class 6. I remind them that they need a minimum of 5 prints, and that saving printing until the last minute is a bad idea.

Day 6
Students at Work: Students work on, and print their images. I walk around the room and help individual students and groups of students.
Lecture: I wrap up the class and tell the students that they should be finished printing by the end of class 7. I remind them that they need a minimum of 5 prints.

Day 7
Students at Work: Students make final adjustments to their project and finish printing.
Lecture: I remind to students that their work should be ready to hang at the start of class 8.

Day 8
Critique: Students hang their photographs and we discuss what they learned about photographing an invisible force, depth of field, composition, emphasis, and toning methods.

Assessment
Each question is worth 1/5 of the final grade. The teacher addresses the questions and responds to each student in writing.
-Did the student create a well-balanced and interesting composition?
-Did the student use their aperture to focus on the intended subject of their photograph?
-Did the student use the Photoshop tools and techniques to create an image that best conveys the emotion they intended?
-Did the student participate in the group discussions and offer constructive advice that goes beyond, “I like…” statement?
-Did the student reflect on their process in a thoughtful and meaningful way?

August 20, 2012
by Erin Day
2 Comments

Yoko Ono – Imagine Peace Tower

Yoko Ono is interested in forming relationships with people. Imagine Peace Tower is her most current project. In all her projects, Yoko Ono invites the viewer to participate. The Peace Tower is no different. Viewers are invited to leave wishes, and have their words become part of the sculpture. Guests also take their photos with the tower, which are then posted online.

The Peace Tower is located in Iceland on Videy Island. This location was chosen due to the Island’s natural energy. Water, not oil powers the Tower. No pollution is a metaphor for no war. The light from the tower is a metaphor for the warm spread of peace she hopes will eradicate fear and darkness in humanity.

This work is a manifestation of an idea Yoko had almost 40 years ago. She listed a tower of light on her Conceptual Sale List. John was taken by the idea, and requested that Yoko build him a light Tower in his garden. It touched Yoko that John was moved by her idea, so she constructed the peace tower in his honor, and lit it on his birthday (October 9) in 2007.

The tower is lit for John Lennon (Oct 9 – Dec 8), the spring equinox, winter equinox, Yoko’s birthday and New Year’s Day.

http://imaginepeacetower.com/

August 19, 2012
by Erin Day
0 comments

Yoko Ono as an Example of a Rhizome

I wrote a poem for Yoko Ono and posted it on her facebook wall.

Yoko Ono as an Example of a Rhizome

endless connections
open collaborator

message of peace
picks up again

map of your life
all histories exists at once

http://www.facebook.com/yokoonopage

Yoko Ono is connected to music, art, science, politics, etc. Her connections are endless.

Yoko Ono is a rhizome because her and John and everyone else she collaborates with are like the wasp and the flower, they use each other’s experiences and ideas to create new experiences and ideas.

Yoko Ono is a rhizome because she always starts up again. Her message of peace is always picked up again.

Yoko Ono is a rhizome because her whole history is online and available, with no beginning and no end. The internet has no sense of time. You can visit with Yoko Ono at any point in her long, well documented life.

Yoko Ono’s web presence is a map of her life.

August 18, 2012
by Erin Day
1 Comment

Eye Exam

 

Eye Exam Movie

I have been wearing glasses since I was 2 years old, and have subsequently had many eye exams. I was also employed as a medical photographer shortly after graduating from my undergraduate program. This video was shot from both the perspectives of the patient and the doctor. The eye exam only exists when two people participate.

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