With my work, I practice imagining the liminal space between consciousness, memory and sensory experiences. I am interested in the fallibility of childhood memories and their effects on the response to visual information, story-telling and the construction of my identity.
Using paint and objects both found and manufactured, these ideas naturally evolve into abstracted assemblages and installations. Images, stories and writings partner to develop a dialogue that is primarily concerned with the transfiguring power of nostalgia, language barriers, grief and time. The work is concerned with cultural hybridity and the spiritual, mystical phenomenon of the mind specifically they we subconsciously select and store information to later build our sense of self and others.